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Ferdowsi's Shahnameh, the national epic of Iran, is a mythical and heroic retelling of Persian history.
Moreover, Muslims believe that God is incorporeal, making any two- or three- dimensional depictions impossible.
Instead, Muslims describe God by the names and attributes that he revealed to his creation.
Another reason why Islamic art is usually abstract is to symbolize the transcendence, indivisible and infinite nature of God, an objective achieved by arabesque.
Arabic calligraphy is an omnipresent decoration in Islamic art, and is usually expressed in the form of Qur'anic verses.
The epic took form in the 10th century and reached its final form by the 14th century; the number and type of tales have varied from one manuscript to another.
Various characters from this epic have themselves become cultural icons in Western culture, such as Aladdin, Sinbad and Ali Baba.
Through it the effect of varying cultures within Islamic civilization can be illustrated.
The North African and Spanish Islamic architecture, for example, has Roman-Byzantine elements, as seen in the Alhambra palace at Granada, or in the Great Mosque of Cordoba.
Islam emphasizes unity and defense of fellow Muslims, although many divisions of Islam (see the Sunni-Shia relations) exist.
In the past both Pan-Islamism and nationalist currents have influenced the status of the Muslim world.